![]() ![]() He seemed pretty happy to have found it, so I didn't have the heart to tell him that his "small pond" was really just a large puddle. Here's a photo I snapped one afternoon of a duck enjoying a swim and a drink in a small pond. By the end, I think you'll find that not only is Shadows/Highlights simple to use, but that it does such a great job of bringing out detail, you'll be trying it on photos that didn't even seem to need it!Īs with all tutorials in this series, I'm using Photoshop CC (Creative Cloud) but everything is also fully compatible with Photoshop CS6.ĭownload this tutorial as a print-ready PDF! In this tutorial, we'll learn how to access the full range of options and explore how each one works. It also doesn't help that these hidden options, while easy to use, are not the most intuitive things to understand (which might explain why they're hidden). The real power of Shadows/Highlights lies in its advanced options that, for whatever reason, are hidden from us by default. These sliders, on their own, don't always do the best job. The only downside to the Shadows/Highlights command is that when you first launch it, you'll see only two sliders one for the shadows and one for the highlights. As its name implies, Shadows/Highlights gives us separate control of the shadows and the highlights in an image, allowing us to easily bring out hidden detail in the lightest and darkest areas and reduce overall contrast by pushing more of the tonal range into the midtones, often resulting in a more pleasing image. The Brightness/Contrast command is great for images that are looking a little flat and need a boost in contrast, but what about images that start out with too much contrast, with highlights that are too bright, shadows that are too dark and not much going on in between (the midtones)? Or how about photos where you want to leave the highlights alone and just brighten up the shadows, or leave the shadows alone and just dim down the highlights? These types of images are exactly what Photoshop's Shadows/Highlights image adjustment was designed for. Then, we took things further by learning how to apply it as a non-destructive adjustment layer. In the previous tutorials in this series on tone and color correction in Photoshop, we learned all about the Brightness/Contrast image adjustment and how it can easily improve the overall tone and contrast of our photos.įirst, we learned how to apply it directly to the image itself as a static adjustment.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |